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"Deadwood" - Both Creates And Defies Generic Conventions

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6 pages in length. One might readily argue how genre is little more than what humanity has spun into recognizable categories whereby films and television programs readily exist. The extent to which generic conventions are paramount to establishing the proper style of depiction a given movie or show portrays is both grand and far-reaching; that contemporary productions have regularly sought to break new ground where long-established genre is concerned speaks to the greatly expanded approach to reinventing generic conventions that both create and defy traditional application (Hoggart, 2004). HBO's Deadwood - a western "detailing the birth of a civilization on the outskirts of the 1870s American frontier" (Shimanovsky, 2006, p. 28) whose success has taken virtually everyone by surprise (Perret, 2005) - is one such production that has, for all intents and purposes, turned the western genre on its ear; not only has creator David Milch magnified the dialogue in what has long been believed to be mild mannered exchanges between somewhat civilized people, but he has displayed a raw and earthy persona the likes of which causes viewing audiences to be taken aback by the bold suggestion that people were actually as crude, lascivious, barbarous and ruthless as Deadwood overtly suggests. Bibliography lists 8 sources.

Page Count:

6 pages (~225 words per page)

File: LM1_TLCDeadwood.rtf

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Unformatted sample text from the term paper:

are paramount to establishing the proper style of depiction a given movie or show portrays is both grand and far-reaching; that contemporary productions have regularly sought to break new ground where long-established genre is concerned speaks to the greatly expanded approach to reinventing generic conventions that both create and defy traditional application (Hoggart, 2004). HBOs Deadwood - a western "detailing the birth of a civilization on the outskirts of the 1870s American frontier" (Shimanovsky, 2006, p. 28) whose success has taken virtually everyone by surprise (Perret, 2005) - is one such production that has, for all intents and purposes, turned the western genre on its ear; not only has creator David Milch magnified the dialogue in what has long been believed to be mild mannered exchanges between somewhat civilized people, but he has displayed a raw and earthy persona the likes of which causes viewing audiences to be taken aback by the bold suggestion that people were actually as crude, lascivious, barbarous and ruthless as Deadwood overtly suggests. "Deadwoods depiction of the west actively breaks new cinematic and intellectual ground. The liminal status of the historical town of Deadwood positioned as it was between the United States territories and the land granted to the Native Americans offers a microcosmic consideration of the settlement of the American west and a possible entry point into a fresh analysis of the colonization of the frontier. Deadwood dismantles and subsequently ingeniously refashions the conventions of the classic western, both cinematic and literary, affording exciting new analytical territory to explore" (Holmberg, 2005). To understand the impact Deadwood has had upon the combined creation and defiance of the western genre, the student will want to examine the evolution of the western and why it ultimately developed into a relatively blas? ...

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