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David Lynch: Post-Modernism

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9 pages in length. The true essence of life's dramatic celebrations and postmodern accomplishment is portrayed with vivid mastery within David Lynch's television and film works. Lynch's participation in such productions as Dune, The Amputee and Twin Peaks – the last of which "provides an example of the changing relation between television and society in the 1990s, with its postmodern complexity" (Lavery, 1993, p. 239) - is instrumental in catapulting his influence to the heights they ultimately reached with regard to reflecting the very essence of postmodernism. These works - which effectively draw from the writer, director and actor's ability to perpetuate the transitional nature of postmodern theory from the more minimalistic phase in television and film to one where creative limitations are only a past memory - is characterized by a combination of his production prowess and cinematic mastery. The audience has little difficulty understanding the attraction of such works as Blue Velvet and Wild at Heart through Lynch's postmodern approach, all of which work synergistically as a means by which to create filmatic creations that gloriously represents the fruits of his collective labor. Bibliography lists 8 sources.

Page Count:

9 pages (~225 words per page)

File: LM1_TLCLynchPM.rtf

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Unformatted sample text from the term paper:

productions as Dune, The Amputee and Twin Peaks - the last of which "provides an example of the changing relation between television and society in the 1990s, with its postmodern complexity" (Lavery, 1993, p. 239) - is instrumental in catapulting his influence to the heights they ultimately reached with regard to reflecting the very essence of postmodernism. These works - which effectively draw from the writer, director and actors ability to perpetuate the transitional nature of postmodern theory from the more minimalistic phase in television and film to one where creative limitations are only a past memory - is characterized by a combination of his production prowess and cinematic mastery. The audience has little difficulty understanding the attraction of such works as Blue Velvet and Wild at Heart through Lynchs postmodern approach, all of which work synergistically as a means by which to create filmatic creations that gloriously represents the fruits of his collective labor. II. THE INFLUENCE OF POST-MODERNISM Postmodern thought was the breaking free of certain social, political and economic strangulation that decreed all followers must abide by the same doctrines. Post-modernisms discursive system was a reaction to and critique of modernism, with particular emphasis upon modernisms elitist social, political and economic structure of upper and lower classification. The influence of modernisms political and aesthetic projects of resistance and revolution, recooperation and universalism all played an integral role within the ultimate rise of the postmodernism movement, which encompassed the broad and far-reaching aspects of art, architecture, music, film, literature, sociology, politics, communications, fashion, and technology (Klages, 2003). Indeed, one can readily surmise that audience members gain the same level of appreciation for Lynchs discipline, passion, talent and compelling sense ...

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