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Essay / Research Paper Abstract
A 3 page film review of the movie Crash. Parables are narratives that convey a moral meaning that usually encompasses specific aspects of the nature of a society and its moral and social norms. In the film Crash (2005, directed by Paul Haggis), the audience is presented with a present day cinematic parable that dramatizes several different story lines and the ways in which no segment of contemporary American society is separate from the collective whole. This thematic point is emphasized in the way in which the various story lines intersect. Examination of the social web of relationships that characterizes this film indicates this parable's meaning and its relevance to contemporary American culture. No additional sources cited.
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3 pages (~225 words per page)
File: D0_khcrash2.rtf
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Unformatted sample text from the term paper:
presented with a present day cinematic parable that dramatizes several different story lines and the ways in which no segment of contemporary American society is separate from the collective whole.
This thematic point is emphasized in the way in which the various story lines intersect. Examination of the social web of relationships that characterizes this film indicates this parables meaning
and its relevance to contemporary American culture. It quickly becomes apparent in the film that a principal thematic focus is on racism. When Anthony sees the reaction of a
white woman, Jean, as she and her husband, Rick, head for their car, her obvious suspicions and assumptions about Anthony and another black man cause Anthony to go into rage
and rant against the inherent racism in her reaction to a black male presence. Nevertheless, Anthony does proceed to steal the couples black SUV. The fact that Anthonys actions verify
Jeans racist assumptions indicates the irony that frequently characterizes the film. As this opening scenario suggests, a principal theme for the filmmakers is the idea that racism is reciprocal.
Anthony makes it clear in his rant that he feels victimized by the racist attitudes of whites and it is also clear that this feelings of victimization are instrumental in
his motivation for stealing Jean and Ricks car. However, in committing grand theft auto, Anthony objectifies Jean and Rick just as much as they do him, as he judges them
based on racist assumptions. The film abounds with instances that show that racism can be subtle, as well as overt. For example, Graham, a police officer, is having an
affair with his partner, Ria, who is of Puerto Rican descent. While this suggests Graham is not racist, he fails to remember Rias ethnicity, equating being Puerto Rican with being
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