Here is the synopsis of our sample research paper on Comparison/Contrast: Bugiardini and Caravaggio. Have the paper e-mailed to you 24/7/365.
Essay / Research Paper Abstract
A 4 page paper which compares and contrasts Bugiardini’s Madonna and Child enthroned with Saints Mary Magdalene and John the Baptist and Caravaggio’s The Holy Family with the infant St. John the Baptist. Bibliography lists 2 sources.
Page Count:
4 pages (~225 words per page)
File: JA7_RAccbuc.rtf
Buy This Term Paper »
Unformatted sample text from the term paper:
listed below. Citation styles constantly change, and these examples may not contain the most recent updates. Comparison/Contrast: Bugiardini and Caravaggio Research Compiled
for by J.A. Rodgers, May 2010 To Use This Paper Properly, Please Introduction Bugiardinis Madonna and
Child enthroned with Saints Mary Magdalene and John the Baptist and Caravaggios The Holy Family with the infant St. John the Baptist are both paintings that present the viewer with
very similar subject material. They are paintings that offer up the figure of the Virgin Mary, Jesus, and John the Baptist. Each painting then has other figures as well. The
following paper examines the two paintings, discussing the various elements through comparison and contrast. Comparison/Contrast: Bugiardini and Caravaggio Composition: In each
of these paintings the composition is such that the central figure is Mary and Jesus (assuming the child in Marys lap in Caravaggios painting is Jesus). Mary is seated in
both paintings with the naked child standing in her lap. And, in each painting the infant is holding on, or almost holding on, to Marys neck. In Caravaggios the infant
has his arms wrapped around Mary while in Bugiardinis the infants arm is aimed towards, and resting upon, her chest. Caravaggios is not nearly as symmetrical as Bugiardinis whose painting
offers stairs and an equal number of figures on each side of Mary and the infant. Line: The lines in the paintings
are relatively different, although they both possess soft lines reflected in the clothing. With Caravaggios painting the only truly geometrical, or linear, line is the platform or bed upon which
...