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Essay / Research Paper Abstract
6 pages in length. The surrealist DaDa movement of
post-World War I was the rebellious answer to the social and political nature of battle, successfully crushing the avant-garde period of pre-World War I, a conflict that effectively halted the heady artistic experimentation of prewar Western Europe. Avant-gardist artistry was responsible for the growth of myriad elements of contemporary art, including but not limited to cinema, advertising and newspaper/book publishing. Sadly, as the war passed, so too did many of the artistic personalities of the avant-garde period, as well. Bibliography lists 4 sources.
Page Count:
6 pages (~225 words per page)
File: LM1_TLCsreal.doc
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Unformatted sample text from the term paper:
period of pre-World War I, a conflict that effectively halted "the heady artistic experimentation of prewar Western Europe" (Jensen 168). Avant-gardist artistry was responsible for the growth of myriad
elements of contemporary art, including but not limited to cinema, advertising and newspaper/book publishing. Sadly, as the war passed, so too did many of the artistic personalities of the
avant-garde period, as well. Pablo Picasso stands out as one of the most recognized artists of the avant-garde period, lending his talents to
bring forth a fresh artistic concept: light. Light is the primary separation that exists between two-dimensional and three-dimensional painting. Through his masterpiece Still Life, Picassos influence helped the
world to understand this relationship through his artistic renderings, serving to stimulate the inherent connection that exists between flat surfaces and tangible formation. That he also was a talented
sculptor speaks to the fact that Picasso was fully capable of translating his two-dimensional canvas technique to the three-dimensional sculpture.
Like
any other international symbol, art strips away the barriers inherent to humanity. Indeed, Picassos Still Life speaks a language unto itself that addresses the communal need for expression.
Everyone - no matter their origin or language -- has an inherent desire to express emotions, as well as to have these expressions understood. Picassos avant-garde art is such
a universally recognized representation of this statement that there exist no barriers with regard to interpretation. The mere fact that the human element is the primary entity in creating
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