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Essay / Research Paper Abstract
A 9 page research paper which explores the myths surrounding the famous queen. The writer's demonstrates how Cleopatra was first, the victim of Roman propaganda; and then, the victim of 2,000 years of male-oriented prejudice. The paper includes a brief description of Cleopatra's life as seen through a feminist perspective and also includes references as to her treatment in literature and the media. Bibliography lists 6 sources.
Page Count:
9 pages (~225 words per page)
File: D0_Cleomyth.doc
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Unformatted sample text from the term paper:
that a clear answer to that question may never be obtainable; however, it is clear that the image held of her in the public mind has more to do with
cultural stereotypes and ancient propaganda then it does to the historical figure of Cleopatra VII. Throughout history Cleopatra has remained the embodiment of the "ultimate human rapture, an unattainable
erotic ecstasy" who, to quote Shakespeares phrase "makes hungry where most she satisfies" (The Economist, 1990; p. 87). In accordance with this tradition and definitely the best-known incarnation of Cleopatra
is the way Hollywood has portrayed her, but Hollywood was not the first to shape the mythology surrounding the queen to fit their own purposes. George Bernard Shaws
Cleopatra stands for everything "unBritish and thus deplorable" (Holland, 1997; p. 56). In his version of her lifestory, she evolves from a "superstitious, cowardly little girl" into a "vengeful, bloodthirsty
little girl" (Holland; p. 56). Shaw cut five years off her age and has her put under the control of a sturdy Roman governor. Holland points out that this is
consistent with the image of "wise and kindly" British administrators who would soon control whole colonies of these childish foreigners (1997). John Dryden in "All for Love" presented a
much more traditional Cleopatra, that is, someone who is more of an addictive substance then a ruler. At least Shakespeare pictured Cleopatra as a fierce soul, if somewhat unhinged
for love of Mark Antony. Naturally, all of the above leaves out her children. As Holland points out, "Its tough being the worlds top tragic lover with four kids underfoot.
Even if you can get a sitter, it doesnt look right" (p. 56). Eventually, when discussing Cleopatra, everyone refers back to Plutarch, the first-century Greek biographer. Plutarch is quite
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