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Essay / Research Paper Abstract
In four pages this paper analyzes this painting in an overview that includes biographical information on the artist, a background of the history at the time this painting was created, the influence of Impressionism and its artistic philosophy, and how Monet’s use of light represents the Impressionist style. Six sources are listed in the bibliography.
Page Count:
4 pages (~225 words per page)
File: TG15_TGmonetpar.rtf
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Unformatted sample text from the term paper:
as its leader, Monets commitment to Impressionism never wavered throughout his long lifetime (Pioch, 2002). Born in Paris on November 14, 1840, Monet spent much of his childhood in
Le Havre, where his artistic talents developed early. While caricature was his initial artistic style of choice, he switched to landscape painting under the tutelage of Eugene Boudin (Pioch,
2002). After serving in the military for two years, stationed in Algiers, he returned to Le Havre in 1861 whereupon he met Dutch painter Johan Barthold Jongkind, to whom
he attributed "the definitive education of my eye" (Pioch, 2002). At Paris Gleyre Studio, Monet fatefully crossed paths with Pierre-Auguste Renoir, Alfred Sisley, and Frederick Bazille (Pioch, 2002).
Impressionism was born. Like all artistic movements, Impressionism was profoundly influenced particularly by the sociopolitical history in which it was conceived. Unlike previous aesthetic styles that were rooted in
religion, there is little evidence of structured religion in Impressionism. It represents the artistic and political desire to honor a separation between church and state. After the 1870
Franco-Prussian War and "The Commune (or La Commune)" civil war that commenced the following year, the Impressionists were imbued by a passion to depict life as they saw it honestly
and realistically, and not as an extension of deceptive social or political propaganda (Impressionism, Modernity, and Tradition, 2008). The instability of Frances fledgling Third Republic resulting from the 1871
Commune was responsible for an overall feeling of distrust towards any type of revolutionary artistic movement (Impressionism, Modernity, and Tradition, 2008). This inspired artists to return to nature, which
they believed would provide them with the reality check they and their society sorely needed. Impressionism reflects the values and experimental techniques that were characteristic of late-eighteenth century France.
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