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5 pages in length. When comparing the cartoons produced by Warner Bros. and Disney studios in during the 1930s through 1960s golden age, the student will find one significant difference: the element of fantasy. Clearly, Walt Disney instilled such a sense of fantasy within all his cartoon creations that no other studio could come close to matching his intensity. While Warner Bros. produced admirable cartoons called Looney Tunes through the use of aesthetics, characterization, story lines and ideological subtext, the student will find that there is little argument when it comes to comparing its final production to that of the celebrated Disney studios. Bibliography lists 5 sources.
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5 pages (~225 words per page)
File: LM1_TLCcrtun.rtf
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cartoon creations that no other studio could come close to matching his intensity. While Warner Bros. produced admirable cartoons called Looney Tunes through the use of aesthetics, characterization, story
lines and ideological subtext, the student will find that there is little argument when it comes to comparing its final production to that of the celebrated Disney studios. Bibliography
lists 5 sources. TLCcrtun.rtf CARTOONS: COMPARING WARNER BROS. WITH DISNEY BETWEEN THE 1930s AND 1960s by (c) October 2001 --
properly! When comparing the cartoons produced by Warner Bros. and Disney studios in during the 1930s through 1960s golden age, the student
will find one significant difference: the element of fantasy. Clearly, Walt Disney instilled such a sense of fantasy within all his cartoon creations that no other studio could come
close to matching his intensity. While Warner Bros. produced admirable cartoons called Looney Tunes through the use of aesthetics, characterization, story lines and ideological subtext, the student will find
that there is little argument when it comes to comparing its final production to that of the celebrated Disney studios. "The classic Warner Bros. cartoons, with their emphasis on
bringing imaginative impossibilities to life, took animation in a totally new direction from the illusion of life motif fostered by Disney. How ironic - considering they started out as
a near-slavish Disney imitation" (Warner Bros. Cartoons). One can readily argue that a fundamental difference between the creative juices that flowed behind Warner Bros. and Disney studios was the
individual who provided artistic motivation; newly unemployed, ex-Disney animators Hugh Harman and Rudolf Ising borrowed what they learned from the master himself and applied it to what would become an
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