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Essay / Research Paper Abstract
A 7 page research paper that examines several of the roles portrayed by actress Bette Davis. In a society that practically worshiped females in traditional roles as wives and mothers, who were always devoted and selfless, Bette Davis offered an alternative paradigm, a career woman who placed her own agenda, her needs and desires, above all else. In pursing these roles, Davis helped American society to accept the notion that some women could follow a different drummer, one with an aggressive beat. Bibliography lists 6 sources.
Page Count:
7 pages (~225 words per page)
File: D0_khbette.rtf
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Unformatted sample text from the term paper:
a stroke, as well a cancer, she surveyed the gilded hall and bellowed the famous line from her film Beyond the Forest, "What a dump" (Corliss, 1989, p. 49). Even
in old age, Davis could knew how to play the crowd and project her own individual and highly unique persona. Bette Davis, in her life and her films, is largely
responsible for creating the image of the thoroughly modern woman in American culture. Her independence is "born in neurosis, her strength forged in professional and domestic combat, her man of
the moment, an irrelevance or a desperate burden" (Corliss, 1989, p. 49). In a society that practically worshiped females in traditional roles as wives and mothers, who were always devoted
and selfless, Bette Davis offered an alternative paradigm, a career woman who placed her own agenda, her needs and desires, above all else. In pursing these roles, Davis helped American
society to accept the notion that some women could follow a different drummer, one with an aggressive beat. There were times, particularly in her younger years, when Bette Davis
played women who personified glamour and beauty; however, a great many of her roles required "sensible shoes," as she was not adverse to having her face and body altered, padded
or rouged (Brabazon, 2000, p. 98). At an awards ceremony, Davis was asked if she regretted not being the sort of movie star that was coveted and adored by the
public, Davis answered, "wouldnt it be a rather meager ambition if that was all one strived for" (Brabazon, 2000, p. 98). For example, her first big role was that of
Mildred Rogers in the 1934 RKO production Of Human Bondage. This was the "rawest, most brutal performance" yet recorded by a woman on film and was one of a small
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