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5 pages in length. Creating a piece of artwork involves more than mere paint and a blank canvas; rather, fashioning a true work of artistic illusion is really no different than an architect's collection of stone, brick and stucco, assembled instead with pigment and mural. As such, interpretation is limited only as far as one's imagination can extend. After all, what one person appreciates or does not like is all a matter of personal taste. But what is beauty? Is that not absolutely interpretive, as well? Bibliography lists 5 sources.
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File: LM1_TLCbeaut.rtf
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different than an architects collection of stone, brick and stucco, assembled instead with pigment and mural. As such, interpretation is limited only as far as ones imagination can extend.
After all, what one person appreciates or does not like is all a matter of personal taste. But what is beauty? Is that not absolutely interpretive, as
well? It is difficult to define what is beautiful when the very essence is as individual as the fragrance of a flower. "...Most aspects of beauty are understood
quite differently in various countries and spheres of culture, which means that you have to define the group of people whose attitudes and concepts you wish to study" (Anonymous, 2002).
Too, it must be of pleasing appearance and in good taste. But, again, who is to determine these values? Plato offers his explanation: "That which is apprehended
by intelligence and reason is always in the same state; but that which is conceived by opinion with the help of sensation and without reason, is always in a process
of becoming and perishing and never really is" (Anonymous, 2002). French artist Francois Boucher, an artisan of rare proportion who effectively coupled
his own singular and distinctive style with that of the refinement of the period, reflected perfectly the French aristocracy of the eighteenth century, right down to their particular preferences and
decorum. The works that set him apart from other artists of the era - tapestry designs, decorative landscapes, brilliant pastorals and mythological scenes - were the very same compositions
that lent themselves to the metamorphosing social, political and economical climate (Anonymous #4, 2002). The world at that time was changing by leaps
...