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Essay / Research Paper Abstract
A 4 page paper on Australian Impressionism and Impressionists. Bibliography lists 10 sources.
Page Count:
4 pages (~225 words per page)
File: JR7_RAauimp.rtf
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Unformatted sample text from the term paper:
many respects, when people think of Impressionism they will immediately envision such artists that were a part of the French Impressionist movement. The following paper examines whether or not Australian
Impressionism is really uniquely different than French Impressionism. Australian Impressionism According to the student requesting this paper, as they quote from the National Gallery of Victoria, in Australia,
one critic notes that, "The art of the Australian Impressionists is clearly very different to the style of the mainstream Impressionists, and the freshest, lightest and brightest studies by
Roberts, Streeton, Conder, and McCubbin remain far removed from the Monets or Renoirs chromatic innovations." This is essentially the statement that is being analyzed in discussing whether or not Australian
Impressionism is that different from French Impressionism. One author, in discussing this particular genre of painting, notes that, "Despite the use of the word "impressionism" in the name, the
fundamentals of Heidelberg School of Impressionism in Australia actually bear little resemblance to the original French Impressionism movement" (Australian Impressionism, 2007). According to this author the French Impressionists approached color,
and the analysis of color, from a very different perspective than did the Australian Impressionists (Australian Impressionism, 2007). In addition, apparently Australian Impressionism involved something of nationalistic sentiments: "The French
concerned themselves primarily with the physical nature of light, emphasizing the way in which light altered colors as it rapidly changed throughout the day (Splatt 27). The Australian painters, on
the other hand, found more interest in the way light could evoke a particular emotion or mood (Splatt 27), a reason why the paintings of the Heidelberg School came to
symbolize very nationalistic sentiments" (Australian Impressionism, 2007). The five primary players in Australian Impressionism were Charles Conder, Tom Roberts, Frederick McCubbin, Arthur Streeton, and Jane Sutherland and they essentially painted
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