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Essay / Research Paper Abstract
7 pages in length. The artwork of Artemisia Gentileschi is a celebration of gender, with particular emphasis upon issues of feminism and patriarchal control. Indeed, the young Gentileschi portrays the perpetuation of feminism; not only are her artistic endeavors a solid reflection of her sentiments but so is the manner in which she reflects the outward quest for female reawakening. Gentileschi displays her craft well and does not hesitate to apply her talent as more of a social statement than one of mere visual appreciation. The writer discusses how thus is the case with her ongoing artistic assertion that there is truly no separation of the sexes in reality, short of the obvious physical differences; rather, her perpetual argument clearly makes the point that the female gender -- no matter how seemingly fragile and delicate -- is indeed just as much an emotionally strong and self-reliant individual as her socially-accepted male counterpart. Bibliography lists 8 sources.
Page Count:
7 pages (~225 words per page)
File: LM1_TLCartem.doc
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perpetuation of feminism; not only are her artistic endeavors a solid reflection of her sentiments but so is the manner in which she reflects the outward quest for female reawakening.
Gentileschi displays her craft well and does not hesitate to apply her talent as more of a social statement than one of mere visual appreciation. Thus is the case
with her ongoing artistic assertion that there is truly no separation of the sexes in reality, short of the obvious physical differences; rather, her perpetual argument clearly makes the point
that the female gender -- no matter how seemingly fragile and delicate -- is indeed just as much an emotionally strong and self-reliant individual as her socially-accepted male counterpart.
"Artemisia has become a feminist icon" (Benedetti 42). To say that women have had to fight for their existence throughout history would be
a gross understatement and one that would also be staunchly supported by the likes of Gentileschi. Fueled by rape, Gentileschi road to female freedom and self-expression has been paved
with patriarchal intolerance and characteristic skepticism, an allegation clearly represented in such works as Judith, Self-Portrait as Allegory of Painting, Valentina Cervi and Portrait of a Lady. "For the
Renaissance artist Artemisia Gentileschi, reportedly a victim of rape, Judith served to symbolize female vengeance against male power" (Schaeffer 24). That women have been forced to prove their worthiness
within the stringent boundaries of a male-dominated existence speaks volumes about the inherent fortitude that comprises the female spirit. Gentileschis artwork implies that the concept of feminism embodies a
number of critical theories by which to better address the various perspectives of interdisciplinary connection. As a means by which to establish a fundamental basis upon which women could
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