Here is the synopsis of our sample research paper on Anne Radcliffe's 'The Castles Of Athlin And Dunbayne' And Toni Morrison's'Beloved': Social Class Prejudice. Have the paper e-mailed to you 24/7/365.
Essay / Research Paper Abstract
5 pages in length. Assessing the prejudicial differences that exist between Anne Radcliffe's 'The Castles Of Athlin And Dunbayne' and Toni Morrison's 'Beloved' is to address the issue of social class. The reality of
Scottish white privilege as it is bestowed upon Radcliffe's Mary is entirely separate and apart from the ravages of Morrison's enslaved Sethe. The writer discusses that the
manner by which each character is influenced by prejudice of social class implores the reader to envision the glaring contrarieties between a white British woman a black African American female. No additional sources cited.
Page Count:
5 pages (~225 words per page)
File: LM1_TLCpreju.doc
Buy This Term Paper »
Unformatted sample text from the term paper:
to address the issue of social class. The reality of Scottish white privilege as it is bestowed upon Radcliffes Mary is entirely separate and apart from the ravages of
Morrisons enslaved Sethe. To compare the manner by which each character is influenced by prejudice of social class implores the reader to envision the glaring contrarieties between a white
British woman a black African American female. Radcliffes association with prejudice comes from an elitist point of view, where it was not acceptable for certain classes of people to associate
with one another, even if they were of the same skin color. Indeed, an individuals worth was based solely upon his social status, which is what made the requited
relationship between Mary - a Scottish noblewoman - and Alleyn - a lowly commoner - particularly scandalous. Among varying sociological beliefs, the role of class in society represents both
a positive and negative force. In essence, the unbalanced stature of class often stands in the way of an otherwise thriving society, inasmuch as it places a great many
demands upon those who do not inherently possess such dictates. These demands can then only represent one thing: the very downfall experienced by societies so eager to segregate their
general public. "In a gallery on the North side of the castle, which was filled with pictures of the family, hung a portrait of Mary. She was drawn
in the dress which she wore on the day of the festival, when she was led by the Earl into the hall and presented as the partner of Alleyn.
The likeness was striking, and expressive of all the winning grace of the original. As often as Alleyn could steal from observation, he retired to this gallery to contemplate
...