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Essay / Research Paper Abstract
This 5 page report discusses the 1994, Quentin Tarantino movie “Pulp Fiction” and the character of Jules Winnfield. Postmodernism serves as the primary context in which a character such as Jules is moving through his “journey.” Regardless of his reprehensible actions, he is part of a particular aspect of modern life which, for him and his partners has both meaning and depth. His realization of the possibility and even the likelihood of miracles is, in itself, a miracle. Bibliography lists one source.
Page Count:
5 pages (~225 words per page)
File: D0_BWpulpfi.rtf
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Unformatted sample text from the term paper:
capacity for self-awareness and ultimate redemption is one that has been explored throughout the history of literature. Postmodernism serves as the primary context in which a character such as Jules
is moving through his "journey." Regardless of his reprehensible actions, he is part of a particular aspect of modern life which, for him and his partners has both meaning and
depth. His realization of the possibility and even the likelihood of miracles is, in itself, a miracle. It is also worth noting that in terms of postmodern reality, identity has
come to be primarily self-determined. Because there are few, if any, universal ideals that linking human beings together as a single collective, all that is left is a concept
that can best be described as "tribes." Such tribes are identity-based groups that share a race, ethnicity, gender, or whatever. The "whatever" can just as easily be murderers as people
who think of themselves as having an Irish-Catholic connection. In the case of the "tribes" created in Quentin Tarantino movies, crime and violence are the primary links for social
and personal identity. No one is permitted to judge another groups actions or beliefs, because there is no recognition of ultimate truths binding on everyone. Postmodernism is most often
characterized by power struggles and a lack of objective reality, boundaries and standards. Such a description is clearly applicable to "Pulp Fiction" and allows for a better ability on the
part of the viewer to critically consider the "transformation" of Jules from being a "common" criminal to being a man who is seeking his personal truth. Redemption
and "Pulp Fiction" In "Pulp Fiction," Samuel L. Jackson (Jules) and John Travolta (Vincent) are mesmerizing (like deadly snakes!) as a pair of hit men who have regular philosophical debates
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