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Essay / Research Paper Abstract
9 pages in length. The writer discusses naturalism and realism in Edith Wharton's "Roman Fever," regionalism in Jewett's "The White Heron" and romanticism and realism in Twain's "Huckleberry Finn." No bibliography.
Page Count:
9 pages (~225 words per page)
File: LM1_TLCAnalF.rtf
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the desire to escape such confines are more than apparent. Jewetts Sylvia is not far removed from the oppressive social structure other literary protagonists are forced to endure.
For Sylvia, the white heron exemplifies the freedom she so desperately desires but can only imagine. To be confined within ones own social structure - particularly as a woman
- is to forever remain an outsider. Indeed, the consequential influence of Sylvias gender restraint would serve to clip her proverbial wings so as to keep her a prisoner
of her own empty life. The question that immediately comes to mind after studying the regionalism of this story is this: Is a
womans life determined or is it the result of free will? In establishing the answer to this question, it is essential that one understand the difference between the two
representations. When one is cast forward by way of determinism, it is as though one has absolutely no control over the various and sundry occurrences that take place during
ones life. Free will, on the other hand, speaks to the concept of having full authority over ones aspirations and ultimate direction, reflecting the exact opposite of those ruled
by determinism. Having adequately grasped the meaning behind Jewetts perspectives, it can easily be argued that the authors use of regionalism works to show how Sylvia is a prisoner
of determinism. Indeed, the message she each attempts to demonstrate is how life may be ones own responsibility, yet some people are without the wherewithal to change their course.
Indeed, this story speaks to yet another component of regionalism as it relates to Sylvias unfulfilled life: the issue of blossoming feminism, which
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