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Essay / Research Paper Abstract
This 6 page report discusses the ways
in which the Romantic movement or period influenced the styles of art created during its
time. Nathaniel Hawthorne is used as the example of American Romanticism personified.
Bibliography lists 5 sources.
Page Count:
6 pages (~225 words per page)
File: D0_BWartrom.rtf
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Unformatted sample text from the term paper:
a deep reverence for nature, the concept of the so-called "noble savage" (primitive and therefore uninhibited person), and the natural rights of man should be aware of certain facts about
Romantic art as well as Romanticism itself. For example, he or she should be aware of the fact that throughout history, art has always served as a means by which
social theorists and historians are able to gain some measure of understanding into a cultures ideals and belief systems. The purpose of art, the creation of art, the interpretation of
art, and the teaching of art has always and still remains a process in which the interpreter fits into certain parameters as surely as the art work itself. It is
also important to understand that art, be it music, literature and, or, the visual arts is a reflection of the way people think and behave. It is also a
precursor to where the society is going because it involves the processes of past and present in a way that suggests the future even as it serves to mirror the
present. The Idealism of Romantic Works of Art Art often seeks to find expression for those things that are socially repressed. Sexuality, gender, cultural practice, ideology, and
narrativity, among other things are represented within art as appeals to emotion and patterns of energy (Kramer 58). In addition, the aesthetic quality of the particular artwork is necessarily confined
to a social definition of form that is ultimately processed through how one individual conceives nature and the empirical surroundings. The student working on this project should consider the idea
that: "... The aesthetic object is grasped not by means of concepts of the object, but rather solely by the mental representation that the object generates in the
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