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Essay / Research Paper Abstract
A 3 page essay that offers an overview of the realism movement in late nineteenth/early twentieth century American literature. Bibliography lists 4 sources.
Page Count:
3 pages (~225 words per page)
File: KL9_khrealsht.doc
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Unformatted sample text from the term paper:
change brought multiple benefits, but also multiple problems. The writers of this period who subscribed to the philosophy of Realism believed that their art should accurately reflect these problems, as
they portrayed their characters in a realistic manner that accurately reflected the circumstances and situations that they would face in the real world. For example, Upton Sinclair shocked
the nation through his description of working condition in the meatpacking factory in which his characters were employed in The Jungle. Paul Lawrence Dunbar and Charles Chesnutt described the effects
of systemic racial prejudice within the context of African American life, and Kate Chopins descriptions of marriage shed light on how the restrictive nature of womens roles during this era
affected their lives (Penrose). As indicated by Richard Chase in his text The American Novel and Its Traditions, realism dictated that the presentation of reality should be prioritized, even
if it meant sacrificing the factor of provided a well-crafted plot (Campbell). Characterization was also considered more significant than either plot or action and characters in realistic fiction are often
presented with complex ethical choices (Campbell). An intriguing example of realism is Life in the Iron-Mills by Rebecca Harding Davis, which portrays the lives of immigrant workers in the
nations early steel industry. Just as Charles Dickens exposed the underside of industrialization in Great Britain, Davis likewise did so in regards to the US, as she showed how immigrant
workers were trapped within a cycle of work and drudgery that thwarted all hopes for education or advancement. This fact is exemplified in a scene where upper class men are
touring the factory and captivated by the beauty and skill of the sculptures that Hugh Wolfe, a Welch immigrant ironworker, has sculpted in kori, a byproduct of the smelting process.
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