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7 pages in length. Today's family structure bears little reflection upon its former counterparts of decades ago. No longer are family values placed before personal desires, inasmuch as contemporary families are often splintered due to each member's quest to achieve for him or herself. Striving for one's individual aspirations over and above the health of the family as a whole is what Sam Mendes' American Beauty clearly depicts, as it strives to portray man's unquenchable need to fulfill his own wants and needs, ultimately shaping modern dysfunctional culture. Bibliography lists 5 sources.
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7 pages (~225 words per page)
File: LM1_TLCAmBea.rtf
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and above the health of the family as a whole is what Sam Mendes American Beauty clearly depicts, as it strives to portray mans unquenchable need to fulfill his own
wants and needs, ultimately shaping modern dysfunctional culture. Bibliography lists 5 sources. TLCAmBea.rtf "AMERICAN BEAUTY": EMBODIES MODERN DYSFUNCTIONAL CULTURE by (c)
November 2001 paper properly! Todays family structure bears little reflection upon its former counterparts of decades ago. No longer
are family values placed before personal desires, inasmuch as contemporary families are often splintered due to each members quest to achieve for him or herself. Striving for ones individual
aspirations over and above the health of the family as a whole is what Sam Mendes American Beauty clearly depicts, as it strives to portray mans unquenchable need to fulfill
his own wants and needs, ultimately shaping modern dysfunctional culture. Kevin Spacey and Annette Bening play Lester Burnham and Carolyn Burnham, a seemingly happily married couple in Sam Mendes American
Beauty - by typical social standards, that is. What actually lurks beneath their otherwise normal relationship is the embodiment of modern dysfunctional culture in the discontentment of one mans
desire to live more of his life than merely being a cookie cutout of average people. Lester longs for excitement and intrigue to fill his lonely, boring life, and
he has learned over the years that he cannot get these things from his own marriage. "Carolyn Burnham: Uh, whos car is that out front? Lester Burnham: Mine.
1970 Pontiac Firebird. The car Ive always wanted and now I have it. I rule!" (Mendes, 1999, p. PG). In essence, Lester and Carolyn have grown apart
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