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Essay / Research Paper Abstract
5 pages in length. The writer discusses the impact of French artistry upon American artisans, as well as incorporates the influence of Romanticism. Bibliography lists 6 sources.
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5 pages (~225 words per page)
File: LM1_TLCAmArtMv.rtf
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Unformatted sample text from the term paper:
to display their wares. Both intrigued with and influenced by the uniqueness of French art, Americans sought to improve upon their stateside approach by tempering with the unrivaled technique
known only to France. American artists were well-versed in the way of painting magnificent Western waterfalls, brilliant portraits and extending landscapes, considered to be "the cream of a nation
ready to assert itself culturally as it had begun to do so economically" (Cohen-Solal PG), yet they yearned for something much more intimate, something that just did not exist in
their homeland. What they found, however, was not at all what they had expected, given the fact that while they sought a greater intensity from their artistic creations, at
the same time they were quite proud of the waterfalls, portraits and landscapes they had already created - the French were not so enthusiastic. "The Americans sat back to
bask in anticipated applause. But their confidence would be shattered when the luminaries of the French Academy condemned the spectacle as being unworthy of the great nation that had
produced it. The rebuke provoked widespread soul-searching in America: Why was the land of Melville and Poe unable to produce paintings of comparable power? How was it to
claim a place among nations producing art of real consequence?" (Cohen-Solal PG). After pulling themselves up by the bootstraps and brushing off the dust of humiliation, American artists continued
forth in the pursuit of greater artistic learning. Clearly, the reputation French artisans had created represented one of the primary reasons why so many Americans left their homeland in
search of tutelage, given the fact that France housed what were the worlds "undisputed masters of painting" (Cohen-Solal PG). American apprentices were everywhere, wanting to learn everything from the
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