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10 pages in length. The inherent elegance and creativity that French artisans have bestowed upon the world has been quite influential to myriad painters and sculptors from across the globe, but perhaps the most significant impact of France's unique artistry has been upon American craftsman who – during the revolution, romantic period and nineteenth century – sought in great numbers the inspiration and guidance that only the French could provide. Bibliography lists 10 sources.
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File: LM1_TLCAmArt.rtf
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but perhaps the most significant impact of Frances unique artistry has been upon American craftsman who - during the revolution, romantic period and nineteenth century - sought in great numbers
the inspiration and guidance that only the French could provide. "US artists of successive generations have continued to draw on Paris cultural treasures as a major source of inspiration
for their art. And these French influences mingled with American roots have resulted in an amazingly diverse range of imagery, styles and expressions that promise a visual feast for
art lovers" (Kwock-Silve, 1997, p. PG). II. THE INFLUX Post-Civil War was a time when American artists "strode brashly onto the hallowed ground of the Paris salon" (Cohen-Solal, 2001,
p. PG) as a means by which to display their wares. Both intrigued with and influenced by the uniqueness of French art, Americans sought to improve upon their stateside
approach by tempering with the unrivaled technique known only to France. American artists were well-versed in the way of painting magnificent Western waterfalls, brilliant portraits and extending landscapes, considered
to be "the cream of a nation ready to assert itself culturally as it had begun to do so economically" (Cohen-Solal, 2001, p. PG), yet they yearned for something much
more intimate, something that just did not exist in their homeland. What they found, however, was not at all what they had expected, given the fact that while they
sought a greater intensity from their artistic creations, at the same time they were quite proud of the waterfalls, portraits and landscapes they had already created - the French were
not so enthusiastic. "The Americans sat back to bask in anticipated applause. But their confidence would be shattered when the luminaries of the French Academy condemned the spectacle
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