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Essay / Research Paper Abstract
(4 pp). The dominance of American motion pictures
in the international market dates back to late
1800s when American producers began exporting their
products. The historical roots of the current
prominence of the USA in the international market
for films (and, subsequently, television programs)
have received increasing attention from historians
in recent years. It cannot be denied that the
United States still dominates the global motion
picture market and that Europe lags well behind in
terms of market share. Comparisons of the
current French and American film industries will
give us some answers to the domination of American
films. Bibliography lists 5 sources.
Page Count:
4 pages (~225 words per page)
File: D0_BBamflmR.doc
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Unformatted sample text from the term paper:
It cannot be denied that the United States still dominates the global motion picture market and that Europe lags well behind in terms of market share. Comparisons of
the current French and American film industries will give us some answers to the domination of American films. Bibliography lists 5 sources. BBamflmR.doc AMERICAN DOMINANCE IN CINEMA
Written by for the Paperstore, Inc., October 2000 Introduction: The dominance of American motion pictures
in the international market dates back to late 1800s when American producers began exporting their products. The historical roots of the current prominence of the USA in the international
market for films (and, subsequently, television programs) have received increasing attention from historians in recent years. It cannot be denied that the United States still dominates the global motion
picture market and surprisingly Europe lags farther behind than we might guess. The reasons for this dominance range from quality of product, to commercially orientated production and unfair distribution practices,
the list is long enough that we do not know if they are excuses or realty. In a comparison with French cinema, this paper will examine some of those reasons
for American dominance in films. History Historical studies dealing with responses to American film dominance have tended to emphasize negative reactions such as European government intervention; consequently, resistance and conflict
loom large in these accounts (Bjork, Ulf Jonas 245). A recurring theme in the study relating to the movie business is, whether film can be viewed as an industry at
all. Often the notions of industry and art form are separated into two diametrically opposed camps. The American model they argue, approaches film making from an industrial angle; while the
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