Here is the synopsis of our sample research paper on Alfred Hitchcock’s “Rear Window”. Have the paper e-mailed to you 24/7/365.
Essay / Research Paper Abstract
This 5 page report discusses Hitchcock’s classic 1954 movie, “Rear Window,” starring James Stewart and Grace Kelly. Hitchcock’s style established an entirely unique realm that had not been previously explored in moviemaking. As a result, all of the imitations of his work, innovative though they may have been, were still derivative of the socio-psychological province of the human psyche that is never quite sure what to expect. Such aspects of “Rear Window” are discussed. Bibliography lists 5 sources.
Page Count:
5 pages (~225 words per page)
File: D0_BWrwindo.rtf
Buy This Term Paper »
Unformatted sample text from the term paper:
own. Such a description would certainly fit Alfred Hitchcock who, over a period of sixty years, Alfred Hitchcock created 53 feature movies. Each was clearly a Hitchcock movie and each
was undeniably unique and it is truly impossible to count how many movies those fifty-plus movies inspired. Numerous directors, writers and actors claim Hitchcock had a direct impact on
their own creative style. He was one of the first to truly solidify the nightmare world onto the movie screen for all to see and experience. Because he was so
often imitated, many of the film nuances that could be classified as truly "Hitchcockian" have been mired down in a quagmire of miserable imitations. The Hitchcock Genre One can
easily classify films into the horror genre and enumerate the ways in which they fit into various subcategories such as supernatural, vampire, monster, "slasher," and so on. However, Hitchcock was
a master in terms of his depiction of archetypal fears through a process in which such fears become dramatic incidents in the movie and reveals some aspect of other dramatic
realm. For example, the film may begin as a "psychological thriller" and rely upon the degree of preparation of the intended victim to deal with a situation, the
strength or the determination of the one perpetrating the horror, or even the successfulness of the element of surprise. For example, a "simple" human murderer is never enough to
pull in the audience as successfully as not knowing. It may actually be a murdering fiend but when the audience finally realizes what it is "... it is either
supernaturally empowered (psychotics always have great energy in the cinema and usually the strength of several men),or simply a supernatural creature, a Frankenstein monster, a zombie, or an immortal force
...