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Essay / Research Paper Abstract
5 pages in length. It is virtually impossible to deny the beneficial impact media advances have had upon the worldwide community, however, it is just as difficult to ignore the negative influences these same innovations have held over a captive global audience. The extent to which media advances have compromised social, political and cultural aspects is both grand and far-reaching; that mass media looms large in an ever-expanding global presence speaks to the negative impact impossible to avoid with such a tremendous social force. Bibliography lists 5 sources.
Page Count:
5 pages (~225 words per page)
File: LM1_TLCMediaAdv.rtf
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Unformatted sample text from the term paper:
same innovations have held over a captive global audience. The extent to which media advances have compromised social, political and cultural aspects is both grand and far-reaching; that mass
media looms large in an ever-expanding global presence speaks to the negative impact impossible to avoid with such a tremendous social force. According
to Stuart Hall (1980), "cultural studies has multiple discourses; it has a number of different histories...It includes many different kinds of work" (p. 278), a realization that lends itself to
analyzing more closely the socially destructive media advances. For example, Internet communications have broadened the ever-expanding concept of cultural exchange, however, many believe people have simply traded one technological
activity (television viewing) for another. Indeed, individuals from all over the world have come to cultivate long-term friendships with those they have never met, which serves to offer an
infinite opportunity as far as collaborations are concerned; however, there still exist the boundaries of time and space that keep those same people from actually solidifying their communications at a
tangible level and establishing a fundamental basis for interactive socialization. One must therefore ask oneself if this technological advancement is truly any more beneficial than the solitary activity of
watching television, or have people merely altered their focus from one screen to another without any added social or cultural advantage? From Walter Benjamins perspective, the fundamental principles of authentic
artwork has all but disappeared from todays social and cultural landscape, replaced instead with a throng of reproductions that simply cannot possess the true emotional, spiritual and tangible substance inherent
to the original. Citing yet another particularly imposing aspect of how media advances have rendered a negative impact upon the "realm of art" (Benjamin, no date), the author points
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