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Essay / Research Paper Abstract
A 10 page comparison of these early twentieth century self portraits. The author provides a graphical description of each and contends that the work of each of these artists is intended as much more than a physical record of their appearance. Instead, it is a reflection of the many factors which have shaped their lives. Bibliography lists 3 sources.
Page Count:
10 pages (~225 words per page)
File: AM2_PPartSlf.rtf
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Unformatted sample text from the term paper:
Self portraits can vary not only in accordance with the physical attributes of
the person depicting themselves but also in accordance with a variety of social and personal factors. These influences can have a tremendous impact on the artistic process as well
as the final product. While thousands of examples could be presented to illustrate these contentions, three should suffice. The work of Frida Kahlo, Paula Modersohn-Becker, and Kathe Kollwitz
are particularly interesting in regard not only to stylistic variations but also in regard to the societal and personal circumstances which were at play at the time of their creation.
While some artists many never create a self portrait others, for one reason or the other or perhaps even a multitude of reasons,
are compelled to do many. Kathe Kollwitz actually created a number of self portraits in her lifetime. That entitled "Shelbstbildnis" and created in 1934, however, is regarded by
many as her most compelling. The portrait depicts a Kollwitz in the last decade of her life, a Kollwitz who has been wrinkled by the hands of time.
Rather than being strictly a portrait of age, however, Kollwitzs 1934 self portrait is also a portrait of strength and resolve. A black ink lithograph, the portrait
is quite startling at first in its apparent simpleness. It depicts just Kollwitzs face, a face which is gnarled, having been continuously sculpted by the ravages of time and
experience alike. It can be contended that Kollwitzs self-portrait is not just a depiction of herself but rather a depiction of
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